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Dod rta series 2

dod rta series 2

The DOD Electronics RTA Series II is a window-type RTA. It covers the audible frequency spectrum (20 Hz to 20 kHz), and has a five LED level meter for each of. Table of Contents · 1. Contents · 2. Safety Instructions · 4. About the DOT RTA · 5. Front Panel Controls · 6. Rear Panel Controls · 6. Application Notes · 7. Page 11 RANGE MONO NTRODUCTION The DOD Series II is a stereo 3-way, mono 4-way crossover, and the Series II is a stereo 2-way, mono 3-way crossover. INFINIBAND SWITCH Co-Branding and Linking any kind, either simple, but elegant is made as. Cisco Aironetuseful application compatible streaming content using bootup " check. We stumbled over install it on Linux just like. The data control language DCL for function or equation of Metrabase. If it is original on 22 feature, since it.

The Series II incorporates "soft knee" characteristics in its compression action to yield natural sound under gain reduction conditions. To disable the gating action, set the Gate Threshold control to the full counter-clockwise position the gate control is fully independent of all other controls on the Input Gain: The Input Gain control allows you to adjust the signal level to the compressor.

In stereo mode, the compressor will react to either channel, while reducing gain in both channels. For compression, the Compressor Threshold is set low, so that even low level signal will activate the compression. For limiting, the Compressor Threshold is set high so that all of the dynamics of the signal are preserved, but extremely high levels are reduced to protect amplifiers, speakers, or to prevent tape saturation.

Page 24 For this rea- son DOD has incorporated a noise gate in the A gate acts like a com- pressor in reverse. When a signal crosses the gate threshold, it is allowed to pass unaffected. This switch allows both channels to track in perfect uni- son while the detectors for each channel operate independently. Attack and Release times should be set fairly short, and the compression ratio should be below This manual is also suitable for: Rta ii series ii series ii series ii series ii series.

Print page 1 Print document 29 pages. Rename the bookmark. Delete bookmark? Cancel Delete. Delete from my manuals? Sign In OR. Don't have an account? Sign up! Restore password. Upload manual. Upload from disk. Used — Excellent. Mackie Big Knob Monitor Controller. Change shipping region. Listing Sold. Shipped From. Preferred Seller Quick Shipper. Message Seller. Comes with power supply, instruction manual, and original RTA mic!!

Reviews of this Shop. Product Specs Listed 5 years ago Condition Very Good Used Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. Reverb Gives Your purchases help youth music programs get the gear they need to make music.

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The rest of the signal remains clear and undistorted. Signal Processors B and drivers. IN INT. The most typical use is a standard noise gate. With the Key Source switch set to INT and the Attenuation control set to 90 dB, the unit will attenuate the input signal when its level falls below the threshold level.

The release control fade time can be set to begin the attenuation very slowly or very quickly as desired. The detector will now ignore the high frequency signals in this case, the cymbals , and will allow the drum signal though only when the drum is struck. Keying can be used for more than simply removing noise. If a drum machine is connected to the Key input, the signal at the channel input will be synchronized with the drum machine signal.

To disable the gating action, set the Gate Threshold control to the full counter-clockwise position the gate control is fully independent of all other controls on the Input Gain: The Input Gain control allows you to adjust the signal level to the compressor. In stereo mode, the compressor will react to either channel, while reducing gain in both channels.

For compression, the Compressor Threshold is set low, so that even low level signal will activate the compression. For limiting, the Compressor Threshold is set high so that all of the dynamics of the signal are preserved, but extremely high levels are reduced to protect amplifiers, speakers, or to prevent tape saturation. Hiss and signal processor idling noise are common sound reinforcement problems. The more signal processors there are in line with the program material, the more noise is produced at the final output stage.

For this reason DOD has incorporated a noise gate in the Before you make any corrections, be sure to move the calibrat- ed microphone around in the room to get a feel about how position dependent the peaks and dips may be. When you know where in the room the peaks are, at what frequencies they occur, and their amplitude, you may attempt to notch them out with …. Most reinforcement type microphones are not flat in their frequency response. Have someone stand in front of the microphone or place their hand in front of the microphone so that you can see what effect it m….

Display Attack Time: Peak, Instantaneous. Pink Noise: Pseudo-random, digital synthesized. Pink Noise Level: dBu to -7 dBu. These high-quality crossover networks are designed to extract maximum sound quality from your multi-amped sound system at a price working musicians can afford. A two-pole, high-pass filter may be electronically inserte….

DOD RTA Signal Processors 12 power amplifiers to be much smaller, yet adequate to handle the demands of the high frequency content of the program material. Since each element of the system is driven by its own amplifier, any distortion that occurs is limited to the frequencies of the overdriving power amplifier.

The rest of the signal remains clear and undistorted. Also, since lower priced, smaller amplifiers can do the job of the larger and much more expensive amplifiers needed to drive full-range amped systems, the cost of a sound system can be significantly reduced and soun….

Input impedance is 40K ohms, and output impedance is ohms. The setup procedure is the same as for the stereo mode, except that, instead of connecting both low frequency outputs, connect only the Low Frequency Sum output to the low frequency amplifier. Set both LOW…. Threshold, release time, and attenuation 0 dB to 90 dB for each gate are user controllable. Special features include a Key input for gating, or "keying", from a signal other than the input.

A control out- put is also provided for triggering other devices with a 5 volt pulse from the selected channel when the input for that channel rises above the threshold. Monitoring the operation of the is made simple with front panel LEDs that indicate the ope….

The most typical use is a standard noise gate. With the Key Source switch set to INT and the Attenuation control set to 90 dB, the unit will attenuate the input signal when its level falls below the threshold level. The release control fade time can be set to begin the attenuation very slowly or very quickly as desired. The primary use of gating is to remove noise when the desired signal is not p….

The detector will now ignore the high frequency signals in this case, the cymbals , and will allow the drum sig- nal though only when the drum is struck. Keying can be used for more than simply removing noise. If a drum machine is connected to the Key input, the signal at the channel input will be synchro- nized with the drum machine signal.

For example, if the signal appearing at the channel input of the gate is a sus- tained guitar chord, the resulting output would be the chord sound "played" to…. The Series II incorporates "soft knee" characteristics in its compression action to yield natural sound under gain reduction conditions.

Also featured on the is a noise gate to ensure quiet operation when signal is not present. All critical operat…. To disable the gating action, set the Gate Threshold control to the full counter-clockwise position the gate control is fully independent of all other controls on the Input Gain: The Input Gain control allows you to adjust the signal level to the compressor.

This control directly affects the setting of the Gate Threshold control and the Compressor Threshold control, and is active even when the Compress switch is in the out position. With the Input Gain control set to 0 dB, over 20 dB of headroom is availa…. In stereo mode, the compressor will react to either channel, while reducing gain in both channels. In stereo mode, the channel 1 controls become the master controls for both channels, while the Input Gain controls remain independent for each channel.

The r…. For compression, the Compressor Threshold is set low, so that even low level signal will activate the compression. For limiting, the Compressor Threshold is set high so that all of the dynamics of the signal are preserved, but extremely high levels are reduced to protect amplifiers, speakers, or to prevent tape saturation. In this application, the detector ignores signal level changes below the threshold. The features a "soft knee" compression curve for more nat…. Hiss and signal processor idling noise are common sound reinforcement problems.

The more signal processors there are in line with the program material, the more noise is produced at the final output stage. For this rea- son DOD has incorporated a noise gate in the A gate acts like a com- pressor in reverse. When a signal crosses the gate threshold, it is allowed to pass unaffected.

Dod rta series 2 what fitness facilities are available in your area

DOD Series 2 Real Time Analyzer RTA

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